{"id":3928,"date":"2024-01-22T12:03:42","date_gmt":"2024-01-22T11:03:42","guid":{"rendered":"https:\/\/kunst-raub-rueckgabe.de\/?p=3928"},"modified":"2026-03-24T12:11:50","modified_gmt":"2026-03-24T11:11:50","slug":"search-for-traces","status":"publish","type":"post","link":"https:\/\/kunst-raub-rueckgabe.de\/en\/2024\/01\/22\/spurensuchen\/","title":{"rendered":"\u201eThe paths of art. Searching for Traces\u201c. A new programme at the Alte Nationalgalerie in Berlin"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1497.6px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p>How did the painting end up in the museum? Who sold the sculpture to the museum, and who was the art collector or dealer? Answers to these and similar questions can be found in a new programme on provenance research. Among other things, it tells the story of the \u201eLion\u201c by August Gaul and the \u201eSusanna\u201c by Reinhold Begas, two works of art that once belonged to Rudolf Mosse.<\/p>\n<p>A total of 21 works from the Alte Nationalgalerie's permanent exhibition will be presented. Each object has its own individual biography. The paths to the museum are varied and winding, rarely straightforward and sometimes bizarre, the traces are often blurred and must first be uncovered. Provenance researchers and curators work together to discover exciting details. The paths of the artworks are also linked to the stories of people who appear again and again. In addition to Rudolf Mosse, for example, visitors also encounter the patron Konsul Wagener, the gallery owner Alfred Flechtheim and the collectors Max Silberberg, Albert Figdor and Otto Krebs.<\/p>\n<\/div><div class=\"fusion-text fusion-text-2\"><div>\n<p>The printed booklet is supplemented by an audio track that can be accessed as a multimedia guide on site in the museum or in the Alte Nationalgalerie app:<\/p>\n<\/div>\n<p><a href=\"https:\/\/apps.apple.com\/de\/app\/alte-nationalgalerie-berlin\/id6450394769\" target=\"_blank\" rel=\"noopener\">App \u201eAlte Nationalgalerie\u201c in the Apple Store<\/a><\/p>\n<p><a href=\"https:\/\/play.google.com\/store\/apps\/details?id=com.acoustiguidemobile.am_smb_nationalgalerie_store\" target=\"_blank\" rel=\"noopener\">App \u201eAlte Nationalgalerie\u201c in the Google Play Store<\/a><\/p>\n<p><em>The audio track was made possible with funds from the project \u201eArt, Looting and Restitution - Forgotten Life Stories\u201c, funded by the Federal Government Commissioner for Culture and the Media.<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>How did the painting end up in the museum? Who sold the sculpture to the museum, and who was the art collector or dealer? Answers to these and similar questions can be found in a new programme on provenance research. Among other things, it tells the story of the \u201eLion\u201c by August Gaul and the \u201eSusanna\u201c by Reinhold Begas, two works of art that once belonged to Rudolf Mosse.<\/p>","protected":false},"author":6,"featured_media":3930,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/posts\/3928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/comments?post=3928"}],"version-history":[{"count":8,"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/posts\/3928\/revisions"}],"predecessor-version":[{"id":3976,"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/posts\/3928\/revisions\/3976"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/media\/3930"}],"wp:attachment":[{"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/media?parent=3928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/categories?post=3928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kunst-raub-rueckgabe.de\/en\/wp-json\/wp\/v2\/tags?post=3928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}