A Bavarian idyll
Hirschberg Castle, near Weilheim, in 1912 and today
Gemeinfrei via Wikimedia Commons / Gras-Ober Wikimedia Commons cc-by-sa-3.0
About an hour’s drive from Munich, Hirschberg am Haarsee Castle can still be admired today. This picture-perfect castle has stood resplendent in idyllic countryside since 1909. “This magnificent castle is a jewel of the region”, enthused the Weilheimer Tageblatt newspaper shortly after its construction. Throughout its turbulent history, it provided a welcome retreat and a home for many an aristocrat, far away from the hustle and bustle of the city. One such resident was the art collector and patron James von Bleichröder.
The Bleichröder Bank
James von Bleichröder was born in 1859 in Berlin. He was the third child of the banker Gerson Bleichröder. His father was part of Germany’s financial elite.
The family enjoyed a high social standing as Gerson Bleichröder was not only an extremely successful businessman but also served as the banker to Otto von Bismarck and Kaiser Wilhelm I. In 1872 Gerson Bleichröder had a title bestowed upon him in recognition of his services and was now allowed to call himself Gerson von Bleichröder. He was the first Jew in Prussia to receive such an honor.
James von Bleichröder grew up at his parents’ residence in Berlin-Charlottenburg. The von Bleichröders were considered ‘assimilated Jews’, in other words, they adapted as much as possible to the culture of Prussia, the dominant state within the German empire . This meant, for example, that James joined one of Berlin’s student corps, an elite student fraternity. From 1880 to1886 he studied law, ultimately gaining a doctorate. His father introduced him to Prussian high society and to leading artists. With the inheritance they received after their father’s death, Gerson von Bleichröder’s three sons Georg, Hans, and James were able to live in luxury. A second cousin continued to manage the day-to-day business at the bank.
In 1888 James married Harriet Alexander. They went on to have five children: Curt, Edgar, Ellie, Harriet, and Victor. However, the couple had a rocky marriage and they divorced in 1902.
Art, culture, and fast cars
With no financial concerns, James was able to pursue multiple leisure activities. His greatest passion was for cars. He even took part in car races. In 1902 he donated Palais Bleichröder to the Kaiserlicher Automobilclub (KAC, Imperial Automobile Club) for use as a club house.
Like Gerson von Bleichröder he regularly gave donations to fund medical research and hospitals. He continued his father’s legacy by supporting Berlin Zoological Garden. In 1910 he purchased a hippopotamus for the zoo.
He also followed in his father’s footsteps by collecting art. His collection contained paintings and sketches by famous artists including Adolph von Menzel, along with tapestries, fine furniture, and Meissen porcelain. It also included ethnological pieces such as Egyptian sculpture. His son Edgar inherited his passion for art and became a painter by profession.
The Bleichröders’ support for conservative-nationalist politics was another product of their assimilation. James joined the Prussian military. When World War One broke out, he volunteered for active service. His sons Curt, Edgar, and Victor also served in the war. Victor died on the front in 1915.
In 1918 James became a father again. He and his third wife Maria had a son, Wolfgang. In 1923 the family moved to Hirschberg Castle, near Munich. James relocated the majority of his art collection there.
he acquired the painting Auferweckung des Lazarus (The Raising of Lazarus).
A love of travel
James and Maria von Bleichröder were keen travelers. This can be seen from the many postcards and photographs that they sent to their son. The card here was from Nice and shows the couple strolling along the beach promenade with an acquaintance.
‘Half Jews’ and ‘full Jews’: National Socialist racial mania
When the National Socialists came to power in 1933, the Bleichröders were among those whose lives changed forever. Although James was a Christian, having been baptized as a young man, the National Socialists classed him and his children from his first marriage as Jews, while Wolfgang was considered a ‘half Jew’ (someone with one Jewish parent or two Jewish grandparents). Edgar was therefore excluded from the Reichskammer der bildenden Künste (Reich Chamber of Fine Arts) and unable to continue his profession as an artist. As a result of the Nuremberg Race Laws of 1935 , the Bleichröder banking house was ‘Aryanized’ (expropriated and transferred to non-Jewish ownership) in 1937, and subsequently liquidated.
James died in 1937 at the age of 77. After his death his art collection was auctioned off by the Berlin auction house Lepke. The Munich art dealer Julius Böhler purchased the Auferweckung des Lazarus at this auction.
A very prominent client bought the painting from Böhler for his own private collection: General Field Marshal Hermann Göring. He paid the princely sum of 8,000 Reichsmarks for it.
Hermann Göring was, alongside Adolf Hitler, undoubtedly the main art collector among the National Socialist leadership elite. He used the artworks to present himself as a highly refined individual. Conversely, he also used his position as Minister President and General Field Marshal to indicate which works were to be considered particularly valuable and ‘German’. He often purchased works that had entered the market as a result of appropriation, persecution, or the murder of their rightful owners.
At the beginning of the 1940s the persecution of the family became even worse. Curt and Edgar, James’s sons from his first marriage, managed to emigrate to Switzerland in 1942. In the same year, their sisters Ellie and Harriet were captured. Ellie was interned in the Theresienstadt ghetto and concentration camp. She can be seen listening to a scholarly lecture in a short sequence from the propaganda film “Theresienstadt”. She was liberated from Theresienstadt by the Red Army in May 1945. Harriet was deported to Riga and murdered there. As a “Mischling” (person of “mixed blood”, with both Jewish and non-Jewish ancestry), Wolfgang von Bleichröder was due to be deployed as a forced laborer, but he managed to evade this by deliberately contracting jaundice. He later emigrated to the USA.
Anxious about the advance of the Red Army, in 1945 Hermann Göring had parts of his art collection moved from his residence at Carinhall to Berchtesgaden. In spring 1945 the artworks were discovered there by American troops and taken to the Central Collecting Point in Munich.
What happened to the painting?
Among the artworks was the painting Auferweckung des Lazarus. In 1961 it entered the holdings of the Bayerische Staatsgemäldesammlungen (Bavarian State Painting Collections) as a “transfer from state ownership”.
The fact that the painting had been part of Göring’s collection led provenance researchers to suspect that it was looted art - especially since at this point it was not known if the widow Maria von Bleichröder had received the proceeds from the auction. Therefore the Bayerische Staatsgemäldesammlungen enter the painting in the "Lost Art" database. The rightful heirs subsequently got in touch.
In 2017 the Bayerische Staatsgemäldesammlungen reached an agreement with the heirs of James von Bleichröder in Munich and San Diego. The painting was to be restituted but it could be repurchased by the Bayerische Staatsgemäldesammlungen.
The Auferweckung des Lazarus can still be seen today at Johannisburg Castle in Aschaffenburg. There is now an information panel explaining the origins of the painting and the history of its restitution.