The joy of collecting together

Max Beckmann: Portrait of Curt Glaser, oil on canvas, oil on canvas, 1929.

Saint Louis Art Museum, Bequest of Morton D. May 845:1983

Son of a Jewish merchant family

Curt Glaser was born in Leipzig on 29 May 1879, the son of the Jewish merchant Simon Glaser. When he was seven years old, he moved to Berlin with his parents and his younger brother Paul. He went to school there, graduated from high school and began his career as an art historian. Berlin became the centre of his life.

Edvard Munch: Portrait of a Lady (Elsa Glaser), oil on canvas, 1913.

Munchmuseet, Oslo. CC BY-NC-SA 4.0

Marriage to Elsa Kolker

In 1903, he married Elsa Kolker (1878-1932), the daughter of a textile manufacturer in Wroclaw. She brought a large fortune into the marriage, which allowed the couple to live luxuriously, travel extensively and collect art on a grand scale.

Elsa and Curt Glaser in a car together with Edvard Munch, Ludvig O. Ravensberg, Jappe Nilssen, Albert Kolmann and Christian Gierløff in Fredensborgveien, Karistiana (Oslo), 1913.

Munchmuseet, Oslo. CC BY-NC-SA 4.0 🔍 Hover over the image to enlarge

Across Europe

Curt and Elsa Glaser are particularly interested in contemporary art, which we now call „classical modernism“. They knew a lot of famous artists. For example, they travelled to Paris to visit Henri Matisse. And in 1913, they travelled by car to Oslo to see Edvard Munch.

Edvard Munch: Elsa and Curt Glaser, pastel, 1913.

Munchmuseet, Oslo.

Portrayed during the visit

Munch seizes the opportunity: he paints the „Portrait of a Lady“ of Elsa and the double portrait of Mr and Mrs Glaser.

Curt Glaser and Edvard Munch, 1920s.

Munchmuseet, Oslo. CC BY-NC-SA 4.0

Best pen pals

Edvard Munch and Curt Glaser became close friends. They wrote many letters and postcards to each other, which can now be found in the archives of the Munchmuseet Oslo. Incidentally, you can read them all view and read online.

Curt Glaser even wrote a book about his artist friend, many of whose artworks he has in his private collection. He illustrates it with original etchings by Edvard Munch.

The scientist

Curt Glaser in his flat, photographed by Ludwig Boedecker, 1923.

Wikimedia Commons, public domain

Twice as talented

Glaser is a scholar with two legs to stand on - and two doctorates: in 1902 he obtained his doctorate in medicine and in 1907 in art history.

Study room of the Kupferstichkabinett, 1920.

National Museums in Berlin, Central Archive. CC BY-SA 4.0

Beginnings as an „unskilled labourer“

In 1909, he began working as a „scientific assistant“ at the Berlin Kupferstichkabinett. A short time later, he converted to Protestantism. It is possible that he hoped this would give him better opportunities in the Prussian civil service.

Erich Büttner: Curt Glaser, drawing, 1931, Kupferstichkabinett, Staatliche Museen zu Berlin

bpk / Kupferstichkabinett, SMB / Dietmar Katz

Career in the civil service

And it works: Glaser makes a career! He stayed at the Kupferstichkabinett until 1924 and became curator for contemporary graphic art. It is thanks to him that the museum now has one of the largest Munch collections in the world. He then became director of the State Art Library.

A house of art

Extension to the south wing of the teaching centre of the Museum of Decorative Arts, around 1916.

In the „garden house“

In 1925, Elsa and Curt Glaser moved into an extension to the former teaching centre of the Museum of Decorative Arts, which housed the art library. Glaser did not have far to go to work.

Monday reception at Curt Glaser's, Berliner Tageblatt of 31 March 1929.

bpk / Staatsbibliothek zu Berlin 🔍 Hover over the image to enlarge

Monday reception

The new flat becomes a meeting place for celebrities from the art scene.

Arthur Rosins on Curt Glaser and his wife Elsa, 1965.

„Curt Glaser's house in Berlin [...] was one of the centres of Berlin's intellectual life.“

Beckmann on the easel

The Glasers' home is full of art. In his private library, for example, there is a portrait on an easel that Max Beckmann painted of Curt Glaser in 1929.

Collapse

Elsa died in July 1932 at the age of 54. Curt Glaser was deeply shocked by her death, as he confided to his friend Edvard Munch.

Maria and Curt Glaser, postcard from Curt Glaser to Edvard Munch, 6 November 1933.

Munchmuseet, Oslo. CC BY-NC-SA 4.0

A new love in times of crisis

Just under a year later, in May 1933, Curt Glaser married the singer Maria Milch (1901-1981) for the second time. She came from a wealthy German-Jewish family, but was brought up as a Protestant.

Book burning on Berlin's Opernplatz, 10 May 1933.

Federal Archives, Picture 102-14599 / Georg Pahl

„Against the un-German spirit“

Regardless of whether they were raised Protestant or baptised late: Curt and Maria Glaser were considered Jewish by the Nazi regime. What's more, Curt Glaser had championed modernism, which was hated by the Nazis. As a library director, he must have been shocked when, on 10 May 1933, books that the regime did not tolerate were burned on Berlin's Opernplatz under the slogan „against the un-German spirit“.

Historical aerial view of Ascona, Switzerland, with Monte Verità, 1946.

ETH Library / Werner Friedli. Wikimedia Commons, CC BY-SA 4.0

Loss of office

Around the same time, Glaser is forced to take a leave of absence as director of the art library and is forced to retire in September 1933. In the German newspaper „Deutsche Zeitung“, the headline ‚Mr Glaser goes on holiday‘ is used to agitate against him. He is a representative of the democratic Weimar Republic, which is slandered by the right-wing radicals as corrupt and 'Judaised'.

Secret State Police Office (Gestapo) at Prinz-Albrecht-Straße 7a, 8, 8a.

bpk

The art library moves out of the building in Prinz-Albrecht-Straße, July 1934.

National Museums in Berlin, Central Archive. CC BY-SA 4.0

The Gestapo moves in

Glaser also had to give up his flat in Prinz-Albrecht-Straße and the art library had to move out. The building complex becomes the headquarters of the Gestapo, the Secret State Police.

Auction catalogue dated 9 May 1933 with handwritten note „Glaser“ on the title page. Berlin State Museums - Art Library.

https://doi.org/10.11588/diglit.6195#0001

Everything about the auction

Glaser realises that he no longer has a future in Germany. He puts his home furnishings, library and art collection up for auction. He commissions the International Art and Auction House and the auctioneer Max Perl, both from Berlin, to organise the auction.

In exile

Historical aerial view of Ascona, Switzerland, with Monte Verità, 1946.

ETH Library / Werner Friedli. Wikimedia Commons, CC BY-SA 4.0

Exile in Ascona

Shortly after the auctions, Curt and Maria Glaser go into exile. They initially lived in Ascona in Ticino for several years. This is a famous drop-out and artists' colony, frequented by painters and sculptors such as Paul Klee, Alexej Jawlensky and Marianne Werefkin. The couple also lived in Florence for periods.

Eva Glaser with her aunt Ellen, Maria's sister.

Family collection

A short life

On 22 July 1935, the couple had a daughter, Eva Glaser. The child would never grow up. She died on 10 February 1943 in a home for handicapped children near Basel.

The American passenger ship „Monterey“ in 1937.

Final years in the USA

After Curt Glaser was unable to regain a foothold professionally in Switzerland, the couple emigrated to the USA via Havana. On 13 May 1941, they landed in New York on the ship „Monterey“.

Not even a year after his young daughter, Curt Glaser died of tuberculosis on 23 November 1943 in Lake Placid in the state of New York.

Letter from the Secret State Police regarding the confiscation of Glaser's assets, 23 November 1944.

Brandenburg State Main Archive Potsdam, Rep. 36 A II, No. 11320, sheet 4 🔍 Move the mouse over the image to enlarge it

Residual assets confiscated

The assets that Curt Glaser left behind when he emigrated to Germany were confiscated by the Gestapo in favour of the German Reich after his death.

Restitution

Edvard Munch: Young Woman on the Beach (The Lonely One), drypoint, multicoloured print, 1896.

bpk / Kupferstichkabinett, SMB / Volker-H. Schneider 🔍 Move the mouse over the image to zoom in

In 2012, the Staatliche Museen zu Berlin restituted four works of art on paper by Edvard Munch and Ernst Ludwig Kirchner to the heirs of Curt Glaser. They came from the 1933 Max Perl auction.

Ernst Ludwig Kirchner: Women at Potsdamer Platz, print, 1914.

Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz. Public Domain Mark 1.0 🔍 Move mouse over the image to zoom in

Five further works can remain with the Staatliche Museen zu Berlin with the consent of the community of heirs in memory of the former director of the Kunstbibliothek.

The Bavarian State Painting Collections also restituted works to the heirs of Curt Glaser in 2013: two watercolour pencil drawings by the Expressionist painter Max Pechstein.

Film by rbb about Curt Glaser

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