A large family from Fellheim in the Allgäu

Colour photograph. A simple two-storey residential building with a pitched roof, behind it a stable.
Former Bacharach butcher's shop in Fellheim - birthplace of Ludwig Rosenthal's mother Dorlene (2012).

Bene16, CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0, via Wikimedia Commons

Fellheim in the Allgäu. A small town on the trade route between Ulm and Memmingen. Jakob Rosenthal was born here in 1854, the youngest of nine children in a Jewish family. His mother, Dorlene, is the daughter of Fellheim butcher Samuel Bacharach.

Colour photograph. Two-storey building with gabled roof, arched windows on the ground floor.
The synagogue in Fellheim today.

Wald-Burger8, CC BY-SA 4.0 , via Wikimedia Commons

His father, Joseph Rosenthal, traded in antiques, old books and prints. He was cosmopolitan, open-minded and assertive - character traits that stood him in good stead both in trade and as an honorary member of the Jewish community. There has been a Jewish community in Fellheim since 1670, but it became increasingly impoverished in the 19th century due to discriminatory laws. This was also evident in the synagogue, which became increasingly dilapidated. Joseph Rosenthal campaigned for its preservation. He succeeds in raising the enormous sum of 2,000 guilders for the renovation - mainly through donations from relatives and Jewish communities in the USA.

Colour photograph. Church building with onion dome.
The monastery church of St Mary of Buxheim Monastery.

Thomas Mirtsch, CC BY-SA 3.0, https://creativecommons.org/licenses/by-sa/3.0, via Wikimedia Commons

Good education for his children is very important to Joseph. He sends his son Ludwig to Buxheim Monastery three times a week to learn English. The boy covers the ten-kilometre distance on foot, whatever the season.

Black and white photograph. Portrait of Joseph Rosenthal, elderly gentleman with half bald head.
Joseph Rosenthal (1805-1885), around 1870.

Munich City Archive, DE-1992-NL-ROS-0472-03

In 1858, the family suffers a stroke of fate: their mother Dorlene dies unexpectedly at the age of 44. She is laid to rest in the Jewish cemetery in Fellheim. Jakob was only four years old when he became a half-orphan.

Now nothing keeps Joseph Rosenthal in Fellheim. He, who travelled a lot for work and had a wide range of interests, was drawn to Munich. From the middle of the century onwards, the royal seat developed into a centre of art and science. Here, Joseph Rosenthal could count on a large clientele for his antiques, art and book trade.

Black and white photograph. Town square with three monuments on pedestals.
The Promenadeplatz in Munich in 1865, around the time when Ludwig Rosenthal founded his antiquarian bookshop here.

Georg Böttger - Public domain

His son Ludwig, who is now a qualified bookseller and antiquarian bookseller, also wants to settle in Munich.

After the last immigration restrictions for Jews were lifted in 1861, this goal was finally within reach. Ludwig realises his dream: he establishes the „Rosenthal Antiquarian Bookshop“ in the heart of Munich, on Promenadeplatz.

While Ludwig still had to walk from Fellheim to Buxheim to receive English lessons, Jakob enjoyed the privilege of being taught French, English and „etiquette“ by a private tutor. After training in his brother's antiquarian bookshop, he received the finishing touches in antiquarian bookshops in Heidelberg and Karlsruhe. He then returned to Munich and became a partner in the „Rosenthal Antiquariat“.

Jacob becomes Jacques

Black and white photograph. Portrait photo of a young man, elegantly coiffed and dressed.
Parisian elegance: Jacques Rosenthal, 1878.

Munich City Museum, DE-1992-NL-ROS-0472-01

In 1878, Ludwig sent his brother to Paris for an extended period of time. Alongside London, Paris was the most important European trading centre for valuable and rare books. But Paris is not only interesting as a market; a science of manuscripts and early printed works has also developed at the universities and libraries here. And of course it is a special experience to be in Paris during the Belle Époque. Jacob educates himself, makes contacts - and falls in love with the city on the Seine, so much so that from then on he no longer calls himself Jacob, but Jacques.

Historical map of Paris with places of interest.
The Eiffel Tower is not yet standing: from the British travel guide ‚Cook's Guide to Paris', 1878.

The British Library, No restrictions, via Wikimedia Commons

Thanks to his curiosity and instinct, Jacques manages to make many a spectacular purchase in Paris. The Rosenthal brothers' antiquarian bookshop quickly gained an excellent reputation. Academic institutions and libraries, private individuals and government circles all bought from the Rosenthals. Their most prominent customers included King Ludwig II of Bavaria and Emperor Wilhelm I.

Black and white photograph. Portrait photo of Emma Guggenheimer, young lady, elegantly dressed, fan in her right hand.
Emma Guggenheimer, around 1880.

Munich City Archives, DE-1992-NL-ROS-0472-16

Black and white photography. Two children, Erwin and Theodora Rosenthal.
The siblings Erwin and Theodora Rosenthal

Munich City Archive, DE-1992-NL-ROS-0472-27

In 1882, Jacques married the 25-year-old Emma Guggenheimer. The bride comes from a respected Munich family. Daughter Theodora is born in 1884, son Erwin in 1889.

Munich - centre of the art and antiques trade

Black and white photography. Multi-storey commercial and residential building.
Art shop and antiquarian bookshop Jacques Rosenthal in Brienner Straße, ca. 1915. Books and prints can be seen in the shop windows.

Stadtarchiv München, DE-1992-FS-PK-STR-00231🔍 Move the mouse over the image to enlarge it

T

he Rosenthal brothers' company grows and grows. Their stock comprises an incredible 800,000 volumes. The Rosenthals decide to split up. Jacques opened his own antiquarian bookshop in 1895.

At the turn of the century, Munich was a centre of the European art and antiques trade. Most of the shops are located in the area between Odeonsplatz, Lenbachplatz and Karolinenplatz, in magnificent buildings reminiscent of museums or palaces. Jacques Rosenthal also built a prestigious residential and commercial building here, in the „antiquarian mile“. In Brienner Straße 47 (today: 26), opposite the art house of Julius Böhler, with whom Rosenthal was a colleague and friend.

Black and white photograph. Portrait of a student with cap, Erwin Rosenthal.
Erwin Rosenthal as a student, ca. 1909.

Munich City Archives, DE-1992-NL-ROS-0472-38

Jacques leaves the planning and equipment to his son Erwin. He may only be twenty, but he already knows a lot about the business. He is studying art history and completing his doctorate.

Black and white photograph. Interior with valuable furniture and paintings.
Antiquariat Rosenthal, interior, ca. 1920.

Munich City Archives, DE-1992-NL-ROS-0472-30

It will be a very special house that radiates opulence, taste and erudition. From the street, you enter a large exhibition hall with walls covered in blue textile wallpaper. An adjoining room is designed like a chapel, with a three-winged altar in an imitation apse. Tasteful showcases display valuable books and works of art behind glass, precious carpets lie on the floors and antique globes are displayed on tables.

Good years for the Rosenthal family

Erwin marries Margherita Olschki in 1912. She is the daughter of Leo Olschki, a close friend of the Rosenthals. Jacques and Emma soon have five grandchildren to look forward to.

After completing his doctorate, Erwin becomes a junior partner in his father's company. He publishes his own academic series: „Beiträge zur Forschung. Studies and communications from the antiquarian bookshop Jacques Rosenthal Munich“. The antiquarian bookshop also gains an international reputation and establishes branches in Berlin and Switzerland.

Boycott and displacement of Jewish businesses

Black and white photograph. Uniformed people in front of bars, with signs.
Boycott of Jewish businesses on 1 April 1933.

USHMM, Public domain, via Wikimedia Commons

But the global economic crisis of 1929 hit the antiquarian book trade hard. Markets collapse, sales fall and an uncomfortable silence prevails in the shops. Then the National Socialists come to power. On 1 April 1933, their boycott of Jewish businesses also hit the antiquarian bookshop, which opened an exhibition of medieval manuscripts on the same day. SA guards stand in front of the main entrance and try to prevent interested parties from entering the exhibition rooms.

At the end of August 1935, the Reich Chamber of Culture banned Jewish art dealers from practising their profession and forced them to wind up their businesses within four weeks. Erwin Rosenthal protested against this in a letter dated 2 September 1935:

„I am pained that you deny me personal professional reliability. I belong to a family in which my involvement with antiquarian bookselling has been hereditary for almost 100 years... a liquidation within four weeks would mean that I would simply have to sell off my stock of around 500,000 volumes, including around 4,000 15th century prints and hundreds of medieval manuscripts.“

Black and white photograph. Street with houses decorated with swastikas and branches.
Festive decorations on the DAF building in Brienner Strasse, 1936. The third building from the left is the former antiquarian bookshop.

Munich City Archive, DE-1992-FS-NS-01790

Erwin Rosenthal only gains a reprieve as a result. He sells the house and the company. Various NSDAP organisations are interested in the prestigious company headquarters, as the entire area around Königsplatz is restructured by the National Socialists into a party quarter. The German Labour Front (DAF) and the party organisation „Strength through Joy“ move into the rooms formerly dedicated to art and science.

A life's work in ruins

Black and white photography. Multi-storey hotel building, cars in front of it.
The Regina Palace Hotel on Munich's Maximiliansplatz in the 1920s.

Munich City Archive, DE-1992-FS-STB-5114

Jacques and Emma move into the nearby Regina Palace Hotel on Maximiliansplatz. Both are no longer in good health and are reluctant to emigrate. Her life's work lies in ruins: The company and the house are lost, the furniture has to be sold off and numerous works of art, including the painting by Friedrich von Amerling, are taken into consignment at the Julius Böhler auction house opposite.

The Rosenthal family grave at the Israelite Cemetery in Munich.

Bayerischer Rundfunk

Two years later, on 5 October 1937, Jacques Rosenthal died in the hotel. His death goes largely unnoticed, with only a few mourners paying their last respects at the Jewish cemetery in Munich.

Double identity card of Emma Rosenthal, 1939.

Stadtarchiv München, DE-1992-KKD-3446🔍 Move the mouse over the image to enlarge it

E

rwin and his wife manage to take their children to safety abroad before emigrating themselves. Emma Rosenthal, however, stays at Maximiliansplatz. She is in need of care and cannot imagine moving abroad, tDespite all the reprisals against the Jewish population. She has to have a new identity card issued, on which she signs her middle name "Sara", as prescribed by the regime. She experiences the horror of the November pogrom and has to hand over her silverware to the municipal pawn office. When she decides to flee to Switzerland in 1939, she has to endure a lot of harassment from the tax office and pay high taxes. She was only allowed to leave at the end of the year. Emma Rosenthal died in Küssnacht, Switzerland, in 1941.

Restitution of the "Portrait of a Young Man"

Painting. Portrait of a young man, signature in the centre left.
Friedrich von Amerling, Portrait of a Young Man (1833).

Bayerische Staatsgemäldesammlungen

As part of provenance research at the Bavarian State Painting Collections, the painting "Portrait of a Young Man" is examined decades later. It turns out that the painting entered the collection in 1936. The art dealer Julius Böhler had offered it to General Director Buchner as part of a larger exchange with other paintings. When Emma Rosenthal enquired about the proceeds, she was told that the painting had not fetched as much as she had hoped, namely only 350 Reichsmarks.

As it is suspected that the Rosenthals did not receive an appropriate purchase price for the painting and that their emergency situation was exploited, the provenance researchers entered the work into the Lost Art Database in 2020. This establishes contact with the descendants. And so the painting can be restituted to its rightful owners in 2025.

 

Article by BR about Jacques Rosenthal

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Related links

The antiquarian bookshop Jacques Rosenthal MunichArtToGo

Jewish antiquarian bookshops and art dealers during the Nazi era

Emma Rosenthal's perception of the "Munich Agreement" in 1938