The von Klemperer family on the balcony of their house at Wiener Strasse 25, 1907, from left to right: Ralph Leopold, Gustav and Charlotte, Victor and Sophie, Herbert Otto.

Privately owned by the von Klemperer family

Interwoven threads

The von Klemperer family is still closely associated with the Dresden State Art Collections today. Even in early 20th century their extensive collections were known beyond Germany's borders. Today, however, the majority of the objects are considered lost.

A Dresden family

Black and white photograph, historical photo of the von Klemperer family in the garden of their house at Wiener Straße 25.
Family photo marking Gustav von Klemperer's 70th birthday in the garden of the house at Wiener Straße 25, 1922.

Privately owned by the von Klemperer family

Historical pen and ink drawing in black and white. A group of people look out over Prague from the lower left edge of the picture. The Vltava River and Charles Bridge can be seen in the centre of the picture. Historically important buildings such as St Vitus Cathedral and the Town Hall Tower can be seen in the background.
Large panorama of Prague, pen and ink drawing by Wilhelm Kandler, around 1837, copperplate engraving by C. F. Merkel, Bohumil Haas' sons' print shop.

Public domain, via Wikimedia Commons

The Dresden banker and arts patron Gustav von Klemperer was born in Prague in 1852. His father, Aron Moses Klemperer, was an accountant and worked at the Prague Stock Exchange and the Privileged Austrian National Bank.

Coloured black and white photograph, historical shot of Dresden's old market. Various stalls are set up on the market square, many traders and customers are spread out in the picture. The Victory Monument stands in the centre of the market. There are houses on the edges of the market square.
Traders on the Altmarkt in Dresden, 1906.

Ottomar Zieher, Munich, via altesdresden.de

Arrival in Dresden society

Gustav Klemperer begins his banking apprenticeship in Dresden in 1866. He quickly achieves professional success at the banking house Thode & Co.

During his training, Gustav Klemperer lives with his aunt Minna Meyer, who runs a boarding house for Jewish girls. At a dance evening at the boarding house, Gustav meets Charlotte Engelmann from Olmütz (Olomouc). They fall in love and marry in 1875.

Black and white photograph, historical portrait. A woman and a man are standing next to each other. It shows Charlotte and Gustav von Klemperer around the time of their wedding in 1875.
Charlotte and Gustav von Klemperer, around 1875.

Privately owned by the von Klemperer family

One year after their wedding, Charlotte and Gustav Klemperer welcome their first son, Victor. Their second child, Herbert Otto, follows in 1878, and six years later the youngest Klemperer brother, Ralph Leopold, is born.

After Gustav Klemperer's appointment to the board of Dresdner Bank, the family moves into a luxury villa at Wiener Strasse 25 in 1891, which they bought a few years later.

The next generation

Victor, Herbert Otto and Ralph Leopold grow up in Dresden. As adults they enjoy both private and professional successes.

Victor is named director of Dresdner Bank in Dresden, Herbert Otto is managing director of Berliner Maschinenbau-Actien-Gesellschaft formerly L. Schwartzkopff, Ralph Leopold is appointed director of Cartonnagenindustrie AG Dresden.

The brothers are actively involved in social life in Berlin and Dresden. They are involved in booster clubs and active as board members of various societies.

Black and white photograph, historical family portrait. From left to right, Ralph Leopold, Victor, Sophie, Charlotte, Gustav and Herbert Otto are standing in a garden in front of a palm tree in a pot. A long-haired collie lies on the grass in front of the family.
To mark Victor's engagement to Sophie Reichenheim, a ceremonial portrait of the family is taken in the garden of Wiener Straße 25.

Privately owned by the von Klemperer family

In 1910, Austrian Emperor Franz Joseph I awards Gustav Klemperer the hereditary title of „Edle von Klemenau“ for his services as honorary consul - a voluntary representative of his home country.

Black and white photograph, historical shot. Emperor Franz Joseph I of Austria-Hungary in uniform. Franz Joseph I is looking to the right edge of the picture, he is bald and has a voluminous white whisker. Various medals are pinned to the chest of his jacket. He is holding a glove in his left hand and a helmet in his right. The frame of the picture is labelled "Carl Pietzner K-u-K-Hof- und Kammer-Photograph".
Emperor Franz Joseph I of Austria-Hungary, photo by Carl Pietzner, around 1885.

Public domain, via Wikimedia Commons

The joy of collecting

Sepia photograph, historical family picture. The family poses on historical sofas and armchairs. Porcelain figurines are placed on baroque consoles on the walls.
Gustav and Charlotte live surrounded by their precious porcelain in their house at Wiener Strasse 25 . From left to right: Victor, Gustav with Peter Ralph, Charlotte with Sophie Charlotte, Sophie, Frieda with Lily, Ralph Leopold, Herbert Otto (standing), around 1911.

Privately owned by the von Klemperer family

The parents' house filled up with guests, especially from Austria, including the heir to the throne Franz Ferdinand, the parents went to court, but also found more and more pleasure in collecting Meissen porcelain. [...] an antique dealer brought them something almost every day, porcelain, furniture and artefacts. They bought with great pleasure and soon every room in the house was a small museum.
Sepia photograph, historical image of an interior. Two tall wooden display cases filled with porcelain stand to the left and right of a doorway. In their centre is another filled display case. Decorative plates are hung around the door frame.
The collection adorns the walls of Gustav and Charlotte's house.

Privately owned by the von Klemperer family

Gustav von Klemperer, Edler von Klemenau, and his wife Charlotte are known far beyond the borders of Germany for their impressive collection of artefacts. The couple begins buying Meissner porcelain as early as 1900.

The main focus is on works from the 18th century.

Gustav von Klemperer wants to document his porcelain collection. In 1926, he commissions the art historian Ludwig Schnorr von Carolsfeld to write a catalogue.

In December 1926, Gustav von Klemperer dies unexpectedly at the age of 74. At his father's request, Victor completes the work. In 1928, the 834-item catalogue is published by Jakob Hegner in Hellerau.

Black and white photograph, historical interior shot. The walls of the room are lined with bookshelves.
Victor von Klemperer begins collecting valuable books during his studies, and the library in the Villa Tiergartenstraße 64 bears witness to his interest.

Privately owned by the von Klemperer family

Three sons' collections

Charlotte von Klemperer continues to live alone in the villa at Wiener Straße 25 until 1933. After moving to a flat in Beethovenstraße, the porcelain is moved to Victor von Klemperer's villa at Tiergartenstraße 64 in Dresden.

All three sons carry on their parents' passion for collecting. Victor begins buying valuable 18th century books while still a student. A short time later, his interest in early prints from the end of the 15th century, so-called incunabula, also grows. In 1927, he publishes a catalogue of his collection: “Early prints from Victor von Klemperer's library".

His brother Herbert Otto also owns a large number of paintings, European decorative arts and East Asian artefacts. Ralph Leopold and his wife's house contains the miniature collection inherited from Gustav von Klemperer and precious Chinese lacquer panels.

Expelled from their homeland

Black and white photograph, historical image. Two people stand on the dome of Dresden's Semper Synagogue and remove a Star of David. Behind them, smoke rises from the building, whose roof is missing.
During the November pogroms of 1938, the Dresden synagogue on Brühlsche Terrasse is destroyed. Firefighter Alfred Neugebauer rescues the Star of David from the dome of the still-burning building.

Deutsche Fotothek / unknown photographer

No way out

The Klemperer family's life is increasingly restricted by National Socialist policies. After the seizure of power in 1933 and the resulting repression, they are forced out of their professional and social environments.

Between 1937 and 1939, the three brothers flee Germany with their families. Ralph Leopold lives in South Africa from 1937, Herbert Otto travels to England in 1938, Victor is granted asylum in South Africa in 1939 and later lives in Bulawayo, in what is now Zimbabwe. In June 1938, Victor begins writing his memoir, which he adds to until his death in 1942.

Black and white photograph, historical postcard. View of a street with little traffic. There are houses to the left and right of the road.
The main street of Bulawayo, date unknown.

MAS Museum an de stroom. Public domain, via Wikimedia Commons

Digitised copy of the Second Ordinance on the Registration of Jewish Property, 26 April 1938.
Second Ordinance on the Registration of Property of Jews, 26 April 1938.

Reichsgesetzblatt (RGBI) I 1938, p. 414. public domain, via Wikimedia Commons

Forced to hand over their possessions

Like many other Jewish citizens, the von Klemperer family is forced to leave behind large parts of their personal property in Germany.

While Herbert is able to save parts of his art collection on his departure, Gustav von Klemperer's valuable porcelain collection remains in his son Victor's villa in Tiergartenstraße. It is impossible for Victor and Sophie to take it with them when they leave the country. The „Second Ordinance on the Registration of the Property of Jews“ of 26 April 1938 made it possible to confiscate the property of Jewish people in the German Reich without any compensation.

Looted goods in the museum

Black and white photograph. Historical photograph of porcelain birds in a wooden display case.
Bird sculptures from the Klemperer collection are presented in a display case in the Johanneum in Dresden in 1939.

Dresden State Art Collections, Porcelain Collection

Black and white photograph. Historical photograph of a long room in the Johanneum in Dresden. On both sides are display cases with porcelain. Next to the showcases are open wooden boxes.
As early as 1939, transport crates are set up next to the display cases so that the porcelain can be packed quickly to protect it from the effects of war.

Dresden State Art Collections, Porcelain Collection

State Collections for Art and Science in Dresden

At the end of December 1938, Fritz Fichtner, Director of the Dresden Porcelain Collection and the Museum of Decorative Arts, is commissioned to secure the property of „the Jew who had left for South Africa“, Victor von Klemperer. This includes the entire furnishings of the villa at Tiergartenstraße 64.

Fichtner wants the important porcelains for the museum collections. The von Klemperer family raises objections. The „Eleventh Ordinance to the Reich Citizenship Act“ deprives the family of all rights to their property.

On 13 January 1943, Adolf Hitler officially transfers the von Klemperer's porcelain collection to the Dresden Porcelain Collection via letter.

Relocation

During the Second World War, large parts of the Saxon State Collections are relocated outside Dresden to protect them from air raids. Among other things, castles and estates serve as storage locations.

The von Klemperer family's porcelain collection is also affected by these relocations. Lists show that in December 1943, a large part of it is stored in Rammenau Castle near Bautzen.

Black and white photograph. Interior shot with stacked wooden crates. The walls are covered with sumptuous wallpaper.
In 1943, large parts of Klemperer's porcelain collection are stored in Rammenau Castle near Saxony.

Dresden State Art Collections, Porcelain Collection

Black and white photograph. Historical photograph of the destroyed Dresden Great Palace Courtyard.
The destroyed inner courtyard of the Dresden Residenzschloss with a view of the north wing, 1947.

Deutsche Fotothek / Walter Möbius

At least three crates of porcelain belonging to the von Klemperer family are moved again on 8 February 1945. On its way west, the lorry loaded with works of art is parked in the courtyard of the Dresden Residential Palace on the night of 13 to 14 February 1945. That night, the city centre of Dresden and the palace are destroyed by bombing raids.

Further crates of porcelain are moved from Rammenau to the Rothschönberg and Reichstädt castles.

A few years after their forced escape from Germany, Victor von Klemperer dies in 1943. He does not live to see the end of the war and is also unable to regain his family's property.

In the Soviet occupation zone and the GDR

Historical map of Germany. The occupation zones after the Second World War are shown in different colours.
Map of Germany from 1946, the Soviet occupation zone is coloured red.

E. Schwesig, Berlin N54. Public domain, via Wikimedia Commons

After the end of the war, the collection is exposed to looting and wilful destruction by troops and civilians. In May 1945, the Soviet army begins to clear the storage depots and transports the majority of the art to the Soviet Union. Only a small part of the von Klemperer collection returns undamaged from the storage centres to Dresden. A large part is recorded as a war loss.

As early as 1947, Erich Goslar, the authorised representative of the Victor and Ralph Leopold von Klemperer families, contacts the state government of Saxony. In 1948, Herbert Otto contacts the administration of Moritzburg Castle to enquire about the whereabouts of his parents' collection.

Objects owned by the von Klemperer family that return to Dresden in the 1950s are not restituted to the heirs, however, as there are no applicable restitution laws in the Soviet occupation zone.

Restitution and donation

Object photography of a decorated camel made of porcelain.
Johann Joachim Kaendler: Camel on parade, Meissen, around 1740.

Porcelain Collection, Dresden State Art Collections

The end of the GDR in 1989 marks the beginning of an intensified exchange between the descendants of the von Klemperer family and the Dresden State Art Collections. The decision is taken in 1990, that they will restitute the existing porcelain to the von Klemperer family.

Just one year later, 86 works of art are returned to the family. Despite all the injustices they had suffered in their homeland, the von Klemperer heirs donate 63 important porcelains to the Dresden State Art Collections.

The research project

The work on the porcelain collection does not end with the first restitution in 1991. Since 2006, the entire collection has been scrutinised. As a result of this research, a further 227 porcelains are restituted to the heirs in April 2010. Since then, further porcelain items are returned to the heirs on an ongoing basis as they are found in the collections.

According to a comprehensive research project of the Dresden State Art Collections the von Klemperer porcelain collection comprises 926 objects. The majority of this collection - around two thirds - is still considered lost today.

Photograph of fragments of a porcelain object. The pieces are painted white, blue, gold, green, beige and purple.
Porcelain shards of a camel figurine from the von Klemperer family collection.

Porcelain Collection, Dresden State Art Collections